Unfortunately, I blew the recording budget on pieces of paper. Still, I like to think it nestles into the pantheon of film history somewhere alongside Kurosawa and Bergman.
I like the way you reference Dylan and Eisenstein yet subvert the generally accepted pop video format while maintaining crossover appeal without rejecting your alternative roots. But mostly I like you grinning at the end of it. And the drawings.
I like the way you reference Dylan and Eisenstein yet subvert the generally accepted pop video format while maintaining crossover appeal without rejecting your alternative roots. But mostly I like you grinning at the end of it. And the drawings.
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